Atlas Carried

My name is Dan.
I am the bassist for Spillway.
I manage Giraffes? Giraffes!.
I am a publicist for Reybee, though I used to work for Shore Fire.
I write for indie rock blog Consequence of Sound, though I used to write for alternative blog UTG.
I freelance for, Bass Player, Aux Out, and Drum! Magazine.
I have a music theory degree.
I was Finch's drum tech.
I used to be a janitor.
I am a real boy.

Ask me something.

I have done everything short of saying “I like you” to let this girl know I like her. I am bad at 2014.

(Source: brighteyedingenue, via destroya)

Agent: When you learn that the most important part of being an agent is managing an act’s expectations…



LOCALS ANNOUNCED for Sandy Alex G on 10/6 at UANC- North Haven, CT




Opening the bill will be Loner Chic, Milkshakes, and Spillway!

RSVP on Facebook!

Tickets: Ticketfly

More Info:

Playing this on 10/6

As is my band, spillwayband.

This is a nice idea.


Everyone who reblogs this will get the title of a book to read based on their bio/posts.

Everyone. I mean it.

(via yourmandevine)

Anonymous said: Fuck Joyce manor, I'm stage diving off of Greg's face


I don’t get what everyone’s problem is with this. Joyce Manor mentioned on this tour alone multiple people have gotten seriously hurt at their shows. Is it not reasonable to ask people to respect one another? Are you a level of moron where you can’t consider the well being of other people around you?


Anonymous said: hello! was wondering: how did you get started with writing for publications? at what point did you go from 'i want to do this' to 'i will do this' and how did you cross over the threshold? appreciate & admire your perspective & work :)


I applied for an internship with Performer Magazine the summer before my junior year of college and started writing my first album reviews & show recaps that fall. It was a pretty hands-off experience — I lived in Chicago, Performer’s based in Massachusetts — but it was a print magazine so getting into shows and getting promos/interviews with local bands was easy. When the internship fizzled I started writing for a local music blog for my last year of school, and then once I graduated I started freelancing pseudonymously for this experimental content network that paid horribly and had zero editorial oversight.

It wasn’t until I started writing for Consequence of Sound (I cold pitched myself and they took me on as a staff writer almost 2 years ago now) that I  felt that writing about music was something I could do as a career and not just a side gig. I met wonderful people who took an active interest in my work and encouraged me to get better at it — something I’d never encountered in the low-paying blog ranks. From there I eventually got the courage to pitch other publications, where I met more wonderful editors who kept me going. 

I don’t know if there was ever a hard line between “I want to do this” and “I will”. A year ago I still didn’t think I would ever be able to work this as my main gig. But I got through my fear of pitching, and I made friends through Twitter who have been incredibly supportive, and eventually the whole thing added up to something like a job.

Sasha is one of my favorites.

Elliott Smith - Pitseleh



Pitseleh - Elliott Smith

but no one deserves it

the first time i saw you i knew it would never last

(via selenarox)


“At every moment of our lives, we all have one foot in a fairytale and the other in the abyss.”
— Paulo Coelho
Art: David Ryle


“At every moment of our lives, we all have one foot in a fairytale and the other in the abyss.”

— Paulo Coelho

Art: David Ryle


the most fucked up thing is that

emma watson




one of the most


men inclusive


feminist speeches


i’ve heard in the longest time, and the result? the result from these men who claim that they would be all for feminism if it weren’t for all “the man…

(via aliensabductingaliens)